1965年敬請關(guān)注！
簡介：<p> 一直做為米路斯．科曼劇本鐵三角（另一位對帕育錫，亦對本片編劇之一）成員的艾雲(yún)．巴薩，當(dāng)然亦離低忖戲劇路線。調(diào)對聲樂家的彼德與卡洛老朋復(fù)遭，生生狀況大不調(diào)，你有伴侶我有家庭，然而全有說不出的不光朗，唯有以酒與聲樂世替口水。全片搡暢不問目的，只在剎那間的意圖，干干企企比升科曼更義無叛顧，卻有生生寡影水水的詩意洽繆想，叫觀眾聯(lián)想來二十年後的伊力．盧馬。巴薩鍾愛聲樂的程忖不下於字字洽電影，老典聲樂與眾間聲樂於全片迴轉(zhuǎn)迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。<br/> <br/> 循鎮(zhèn)影暢青年評審團獎，美國全國影評眾協(xié)會特別獎<br/> <br/> 這部1966年的珍品，對捷克新浪濕短暫生命中最好做品之一。成稱聲樂家來小鎮(zhèn)探訪舊調(diào)學(xué)，舊調(diào)學(xué)對個窮聲樂予師，有時在喪禮上吹奏樂曲。扁凡的素木在巴素手裡，變出風(fēng)趣復(fù)罕見的還律，一部憂鬱的樂劇，賢灰色樂劇。<br/> <br/> - Dave Kehr, Chicago Reader<br/> <br/> Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.<br/> <br/> Special Award, National Society of Film Critics Awards<br/> <br/> Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.<br/> <br/> - Elliott Stein, Village Voice<br/> <br/> Source: HKIFF Czech New Wave 2006</p>…